I always try to be at a location either very early or very late in the day so the light is softer and warmer, and the shadows are longer…The Golden Hour. That’s not always possible especially when you’re somewhere that’s just a small part of the overall shoot. You just have to weigh all your options, then decide what’s the most important location to be at during the best light; providing the most photo ops possible in a short amount of time.
While working on a project for a company that raises crayfish in Louisiana, I was given a shot list that had to be covered in the three shoot days that was budgeted. As always, I sit down with the client and designer ahead of time in a pre-production meeting and talk about their wish list. What’s the most important photo? What will be on the cover? To me, it doesn’t matter as I will spend the same amount of energy for a photo that will be small and one that will be a full page.
In my forty plus year career, I think that the expression I disliked the most is when someone would say to me, “It’s not that important of a shot, so don’t spend too much time on it”…Really? I shouldn’t care what it looks like?
I digress!!!
Since we shot all day, there were times when the sun was high in the sky, rendering everything hot, harsh, and contrasty. The above photo was shot during that time of day. So what do you do, especially when you’re taking a portrait of some local workers and you don’t want “Raccoon eyes”? You know those eyes that have deep shadows from the sun being almost overhead?
You place them just out of the sun, where the light is just missing their face and the reflections coming off the ground help bounce light evenly on all their faces.
Works like a charm, and it’s what we often talk about in my online classes with the BPSOP, and in my “Stretching Your Frame of Mind” workshops I conduct around the planet. The end of July marks my twenty-eight year at the Maine Media workshops. It’s a wonderful way to immerse yourself for a week and think about nothing but photography. It’s the same week as the Lobster Festival down the road in Rockland, and offers a completely different set of photo ops than the beautiful Maine coastline, amazing lighthouses, and quaint fishing villages. The full description is at the top of this blog.
I have added a new workshop to my 2016 schedule. On September 21st, ten photographers will get together with me at my evening “meet and greet” to begin a fantastic five-day workshop in New York, New York. Check out my description at the top of this blog. Come shoot with me.
Visit my website at: www.joebaraban.com, and be sure to check out my workshop schedule.
Don’t forget to send me a photo and question to: AskJoeB@gmail.com, and I’ll create a video critique for you.
JoeB