Personal Pearl of Wisdom: Place your subject way off center, cause its much more better.

Much more better
Much more better

I’ll use it only when I know that the people reading it will realize that I really do know that it’s incorrect to say it… grammatically illegal!!!

However one must note that one cannot place more or most before better. Why is that? Simple. Better itself means “more good”. So “more better” would be “more more good” which doesn’t sound good.

But I digress!!

Ok, you’re asking yourself how in the world can he (Joe) segue this into something that relates to photography?

When I’m talking to one of my students that take my online class with the BPSOP, or when I walk up to someone that’s in one of my “Stretching Your Frame of Mind” workshops someone on the planet, or in the daily critiques during that said workshop, I’ll say it’s “much more better” if you compose your photo so as the subject is way off center…Why?

Well, there are two answers: The answer to the first why is to get a reaction from them since what I say is not grammatically correct. I want the short discussion to be remembered, and I’ll do that any way I can; a brief chuckle before my explanation is just the ticket!

The answer to the second why is that when you place the subject close to the edge of the frame, you’re creating visual tension. Don’t ever let anyone tell you differently. Especially those old-school hardliners (usually the officers in their camera club) that live and will die by the ever so silly Rule of Thirds.

So the next time you’re out shooting and you’re in a position to have your subject either somewhere in one of those pesky (Rule of Thirds) intersections go ahead and take the shot. However, before you move on to the next photo, try placing the subject close to the edge of the frame. Realizing you’ve probably been brain-washed, take a leap of faith while getting over the hump.

When you’re sitting in front of your computer place both versions side by side and really study them. Be honest with yourself and decide which one offers the viewer not only decidedly more visual interest but visual tension as well.

Visit my website at www.joebaraban.com, and check out my workshop schedule at the top of this blog. Come shoot with me sometime.

JoeB

Personal Pearl of Wisdom: 25X4=100

I looked to my right.
I looked to my right.

In both my online class with the BPSOP, and in my “Stretching Your Frame of Mind” workshop I conduct around our planet, I have my Pearls of Wisdom that my fellow photographers have become to know and I dare say…grown to love?

Maybe.

One of my all-time attention grabbers is when I say it’s all about 25X4, and I especially remember using it a lot in my last “Springtime in Sicily” workshop. I used it every day that we were walking around Palermo, Siracusa, Cefulu’ on the West side of Sicily and Catania, Taormina, and Ortygia on the Eastside.

As I do in my workshops, I show people how to see things occurring all around them. As Henry David Thoreau said, “It’s not what you look at, it’s what you see”. I’ll suggest they look at things with the right side of their brain, the creative side instead of the left side which is the analytical side.

The analytical side sees a tree, and the right side sees texture, patterns, lines, color, light, shapes, and form; all basic elements of visual design.

Having said all that, if you just look straight ahead while you’re walking, you’re only using twenty-five percent of your possible vision that has an immediate correlation to photo ops that either surround you or you pass by. I can say from years of experience, the majority of photographers do just that; it just doesn’t make sense.

It reminds me of the blinders that some racehorse trainers have their horses wear to keep them focused on what’s in front of them rather than what’s behind them or on each side. It keeps them focused on the race rather than the distractions around them.

YIKES!!! Is that what you want to be compared to…a racehorse with no distractions? I think not!!

OK, when I’m walking around hunting that elusive “keeper”, looking for the light in all the right places, I use 100% of the potential shooting area that’s always there following me down the street. In other words, I look straight ahead twenty-five percent of the time for a few steps, then to my right side (a few more steps) twenty-five percent of the time, to the left twenty-five percent of the time and behind me twenty-five percent of the time…now that sure makes sense to me.

In the above photo taken after my workshop in Sicily in Lisbon, if I hadn’t been looking from side to side instead of straight ahead, I would have never seen this guy mixed in with several of his friends….missing what would soon be one of my favorite photos/examples.

BTW, I will also look up and down, and have discovered many of my best shots doing just that.

So there you have it, my 25X4 pearl of wisdom. I can guarantee you that if you make a conscious effort to follow my advice, a whole new set of photo opportunities will open up for you, and it will be a lot more fun.

🙂

Visit my website at www.joebaraban.com and be sure to check out my 2016-17 workshop schedule at the top of this blog. Come shoot with me sometime.

Keep those eyes wide open and always moving around,

JoeB