Dawn sent me another photo to comment on. As usual, I like to include the actual question since so many out there may have experienced a similar situation or have thought about similar question. Here’s what Dawn had to say:
“Hi Joe,
This question has to do with composition. I took the attached pic on a visit to Cascais, Portugal 2 weeks ago. It wasn’t a photo workshop or tour but I wanted pics to show what Cascais was like, and the people. In this shot, I wanted to maintain the negative space between the two groups of people, the ladies and the 3 policemen in the background. I included the policemen in the shot for depth and to draw the viewer into the photo. Overall, I thought it captures the sunny relaxed feel of the town. Thank you for your comments, if you have time to make some.
Regards,
Dawn”
Dawn, I’ve begun to answer questions and talk about photos with a video critique. It’s the way I teach in my online class with the PPSOP and also in the occasional question I’m asked from recent photographers that have taken my “Stretching Your Frame of mind” workshop somewhere around the planet.
Take a look at my video critique: http://www.screencast.com/t/2ZGPBrgOEgl
I hope I’ve been able to help. Feel free to send me photos anytime.
Visit my website at: www.joebaraban.com and check out my first workshop in 2014. It’s my third “springtime” workshop, and this year it’s in Paris. Come shoot with me and we’ll toast to our health with a glass of French Bordeaux.
Don’t forget to send me a photo and question to: JoeB@gmail.com.
JoeB
Hi Joe!
Nice video critique, I like how you explain that your subjects need clean negative space in the background to visually define them. Also if your shooting color in street photography, you have to pay attention to the colors of peoples clothes and how that relates to the background too. Which makes that kind of photography even harder. I think this is why a lot street shooters shoot in black and white. Gets rid of the color problems and dependence on good light.
Gary,
Thanks, you’re exactly right!!! Street shooting is a very difficult genre. I’m talking about the type of street shooting where anticipating the moment (spot news photography) is critical. The last thing on my mind is whether or not the colors are in harmony. Capturing that moment in time even supersedes light.
Joe